Sydney Film Festival has quietly become one of the most important stops on the Australian film calendar. Not because it’s the biggest or the flashiest, but because its programming consistently finds the sweet spot between accessible and adventurous. And with the 2026 edition taking shape behind the scenes, there are a few things worth watching.

The State Theatre Anchor

SFF’s relationship with the State Theatre remains one of its strongest assets. There’s something about watching a film in that venue that you just can’t replicate anywhere else in the country. The 2026 festival will continue to use it as the primary venue for galas and major screenings, which is good news for everyone who’s experienced the magic of that space.

The satellite venues across Sydney have evolved over the years. Dendy Newtown and Event Cinemas George Street have been reliable screening locations, but there’s been discussion about adding a venue in the inner west to capture the Marrickville and Newtown film crowd more effectively.

Programming Expectations

SFF’s programming under Nashen Moodley has been consistently strong, with a good balance between world cinema, Australian features, and documentary work. The festival’s documentary competition, in particular, has become a genuine drawcard. Several docos that premiered in competition at SFF have gone on to win AFTAs and secure international distribution.

For 2026, expect a continued focus on Asia-Pacific cinema. SFF has been building stronger relationships with festivals and distributors in South Korea, Japan, and Southeast Asia, and that’s reflected in the programming. Australian audiences are increasingly receptive to subtitled films, which is a positive trend that SFF has helped nurture.

Australian Features in Contention

The official competition for Australian features is always the most closely watched strand. Last year’s selections generated real buzz, with several films going on to strong theatrical runs after their SFF premieres.

Without naming specific titles that haven’t been officially announced, I can say that the pool of eligible Australian features for 2026 is looking deep. Several films that wrapped production in mid-2025 are completing post-production now, and the quality bar is high. The competition jury will have tough choices.

The Industry Program

SFF’s industry program has grown significantly in recent years. The SFF Lab, the fellowship programs, and the various industry panels attract professionals from across the country. For emerging filmmakers, the industry program is honestly one of the best reasons to attend, even if you don’t have a film in the festival.

The 2026 edition is expected to include expanded mentorship components and a stronger focus on international co-production opportunities, particularly with European partners. Screen Australia and Screen NSW have been collaborating with SFF on these initiatives, and the results have been tangible.

Ticketing and Access

SFF moved to a largely digital ticketing system a few years back, and it’s worked well. The early bird pass options offer good value for people planning to see multiple films. If you’re coming from interstate, the mini-pass that covers 6-10 films over a few days is the best option.

One criticism I’ve had in previous years is that the big-ticket screenings sell out very quickly, often within hours of going on sale. SFF has been experimenting with ballot systems for the most in-demand sessions, which is fairer but means you can’t guarantee getting into specific screenings.

What Makes SFF Different

Every Australian festival has its own personality. MIFF is the biggest and most comprehensive. Adelaide is the most adventurous. CinefestOZ has the best food. SFF’s strength is its curation. The program is tight enough that you can see most of what interests you in a week without feeling overwhelmed, and the quality floor is consistently high.

That curatorial discipline is what keeps me coming back every June. In a landscape where streaming services dump hundreds of titles a month, a well-programmed festival that says “these 150 films are worth your time” is more valuable than ever.

Keep an eye on the SFF website from March onward for program announcements. The full lineup usually drops in late April or early May, with tickets going on sale shortly after.